خلاصه ماشینی:
"A manuscript of the Haft Paykar of Nizami in the Metro politan Museum of Art includes a miniature representing Bahram Gur hunting, which is very individual and quite expressive, and the figures are well distributed in the rocky landscape, which is skilfully framed in tree on the margin.
Other miniatures, however, certainly the work of a second artist, reveal in landscape and composition the style which became current in Herat about the middle of the fifteenth century (see p.
The combination of a serious emotional tone with intense pleasure in nature characterizes scenes such as Muhammad's reception by the huris, where the painter shows himself to be a master of romantic landscape, worthy to rank with his predecessors in the Herat school.
(1) To this manuscript, so unusual in subject, is related a very attractive separate miniature in the claude Anet collection, originally the left half of a composition that evidently showed a prince resting beside a brook, perhaps Khusraw discovering Shirin.
It has been ascribed to the Herat school,(1) and a number of compositions, such as the caravan which meets a naked woman in the desert, a very well arranged group, do seem to point to Khurasan rather than Fars; but other pictures, where, incidentally, the figures are not so exceptionally small, seem hardly to be Heart work at all, even assuming that an entirely different atelier may have been responsible."